Location: Historic American Sheet Music Collection, Duke University, Durham, North Carolina
Title of Song: Remus takes the cake; A Southern melody; Characteristic two step-march
Composer: Ellis, Jacob Henry
Engraver: Moss Photo Eng.
Publisher: Willis Woodward
Year & Date: 1896, New York, New York
Collection/Call Number/Copies: Music # A-2017
Historic American Sheet Music Item #: a2017
An African American man holds out a gigantic white cake ringed with red puffs and topped with a red bow. His attire is ostentatious- a bright red bow tie, a flower on his lapel, a three-piece suit and tails, white gloves, and a gleaming diamond button on his shirt. The etched lines of the engraving and his blank stare give the man’s face a wooden quality. His position, with his empty white-gloved hand poised at chest level, makes him look mechanical. The man’s lips are large and disproportionate with the rest of his facial features.
The joy implied by the man’s smile is undermined by the wooden appearance of his face and blank look in his eyes. There is something mechanical about his actions. Finery swirls around him, from his clothes to the ribbon-bedecked cake to the delicate vine-like embellishments that seem to be inspired by French toille. Though the title and bravado of the man’s pose suggest his empowerment (maybe the cake as a prize for winning a dance contest), the man appears impotent and almost child-like, dwarfed by the pomp that encircles him.
Charles Chesnutt (1858-1932)
Charles Waddell Chesnutt was born the son of free black parents on June 20, 1858 in Cleveland, Ohio. His parents had recently moved to Cleveland from Fayetteville, North Carolina in response to the growing restrictions placed on free blacks in that slave state.
By 1866, Chesnutt worked part time in the family store while regularly attending Cleveland’s Howard School for Blacks.
In 1872 Chesnutt was forced to end his formal education at the age of fourteen because he had to help support his parents. However, the school’s principal invited him to stay at the school as a distinguished pupil-teacher and turn his modest salary over to his father.
By sixteen, Chesnutt was employed in Charlotte, North Carolina as a full-time teacher and in 1877, returned to Fayetteville, North Carolina as the assistant principal of Howard School. In 1880 Chesnutt became the school’s principal.
In search of more lucrative employment, Chesnutt resigned his school-administrator post in 1883 and moved to New York City where he worked as a stenographer and journalist on Wall Street. By 1887, Chesnutt returned to Cleveland and was admitted to the Ohio Bar. As a teacher, lawyer, businessman and writer, Chesnutt was a prominent member of Cleveland’s African American elite. By 1900, however, Chesnutt gave up his business and professional life to write and lecture full-time.
Chesnutt was one of the first black American fiction writers to receive serious critical attention and acclaim for portraying blacks realistically and sensitively. In 1899 he wrote his first major novel, The Conjure Woman. Other books followed including The Wife of His Youth and Other Stories of the Color Line published also in 1899, as well as a biography of Frederick Douglass first released in that same year. Another popular publication of Chesnutt was a novel entitled The House Behind the Cedars that he published in 1900. Many of Chesnutt’s publications reflect a similar and distinct shunning of condescending characterizations of African Americans and challenging of the usual sympathetic portrayals of slavery. Charles Waddell Chesnutt died in Cleveland in November, 1932.